National Repository of Grey Literature 2 records found  Search took 0.01 seconds. 
www.arthistory
Kopecká, Martina ; Šedivá, Barbora (referee) ; Stratil, Václav (advisor)
The apparent switch of the stated topic and name of the thesis from Art History to the actual name of the video Inside and Outside the Window became specifically meaningfull to me in that it reflects my own search for understanding, meaning and finding my own place in life and society. The term art history becomes one of many symbols of understanding and learning about a certain topic and it's value system. History of Art and it's evolution is first presented as a unified story, to be learned and accepted on face value as the only truth. But at a certain point it begins to unravel and fall apart and one is forced to doubt exactly those learned and accepted values. What was once accepted as observed or directly experienced is suddenly questioned not only through historical revaluation, but also personal introspection, rejection of absorbed values and a search for new and inherent personal values. But I myself am becoming a part of history and I am no longer the observer, but become the observed and I begin to realise that the newly discovered values are just a revised version of the old and learned ones.
www.arthistory
Kopecká, Martina ; Šedivá, Barbora (referee) ; Stratil, Václav (advisor)
The apparent switch of the stated topic and name of the thesis from Art History to the actual name of the video Inside and Outside the Window became specifically meaningfull to me in that it reflects my own search for understanding, meaning and finding my own place in life and society. The term art history becomes one of many symbols of understanding and learning about a certain topic and it's value system. History of Art and it's evolution is first presented as a unified story, to be learned and accepted on face value as the only truth. But at a certain point it begins to unravel and fall apart and one is forced to doubt exactly those learned and accepted values. What was once accepted as observed or directly experienced is suddenly questioned not only through historical revaluation, but also personal introspection, rejection of absorbed values and a search for new and inherent personal values. But I myself am becoming a part of history and I am no longer the observer, but become the observed and I begin to realise that the newly discovered values are just a revised version of the old and learned ones.

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